Archive for April, 2015

After we go through a round of edits, I schedule some time on the phone with my editor so we can actually talk. I really enjoy talking things through. Ideas flow faster and freer than 20 emails or 100 IM’s.

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So when we finished The Carrington Event, we had a little time to chat about the book industry in general. I talked about the marketing and promotions I was working on, as well as all the social media footprint exercises you must go through whether you’re a traditionally published author or Indie.

I was proud of all the ideas and devices I gathered to help sell my book.

And then she gave me one last edit.

It was an edit of my actions.

The last thing she said to me was…”Marketing is great. But don’t get so caught up in everything that you forget the main thing. You’re an author. Start writing your next book…”

Geez. I expected to hear that from the publisher. But she’s right. I need to get the momentum for writing back. You know what actually hurts after you write a good book and people buy it, read it and like it? They look for your next one. And what if it’s just a bare spot on the bookshelf? They go through the void of having to wait.

Then I reflected on my own purchasing habits. When I first picked up a Steve Berry or David Baldacci novel, I was floored. Loved it. Went back to the bookstore and bought everything they published. And now that I’ve read them all, I wait patiently for their next one. Biding my time until I hear about pre-orders and release dates. If I wasn’t so busy writing myself, I’d probably be in agony. Although I certainly would love to hook readers the way those giants do, the last thing I want is to make people wait. Especially now that my book is a series…

So if you’re a writer, get out there and start writing. Don’t give your audience a single slice of pizza. Make the whole pie available. They’ll like you more for it.

A retrospective

Posted: April 9, 2015 in Writing

In the software world, after we’ve spent a clump of time and accomplished something, we go back and do a retrospective to see what we did right and what we can do better.

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I thought I’d share some of my findings in hopes that it may help you in your own endeavors.

Let’s start with constructive criticism so we can end on a positive note.

Indie publishing can be quite a bit of extra effort. I chose to do the book formatting myself. There were plenty of templates and examples around and this should be easy, right?
Not so much. I didn’t build and test those formats before I started this book. I’d completed other manuscripts so I wasn’t trying desperately to complete one. I knew how to finish. I figured it’d be a simple task to format the entire document and get all my spacing and margins just right after I was done. The reality is that I spent hours retouching the body of work making everything true. Testing, checking, adding space, removing space. I purchased Scrivener about half way through this book and had the learning curve of that program on top of everything else.

What could I have done better? I should have spent more time prepping my base format and learning the specifics of the tools I’m using, both Scrivener and Word. I was ecstatic and practically gloating when I finished writing and was in a rush to get this one out. Because of that, I stumbled over simple formatting basics.

Here’s a good one****

That flippin’ hanging indent on Word. I was using Word for my iBooks/Smashwords setup. I worked closely with a template and thought everything was fine. I submitted to Smashwords and their Autovetter had caught a few things, but eventually everything went through. So I posted on iBooks (iTunes) with a soft launch. And right away I was told the right-hand margin was cutting off one or two characters on every page. What?!? But the Autovetter said everything was good. In all the previewers they have, everything looked good. How did this happen only when it was live?

I had to go back and comb through everything I did. Alas, the right indent was just outside the margin. Just enough to chop off a character or two. It was hard to spot. All of their sophisticated programs and previewers missed it. I spent a whole weekend looking for this and finally fixed and updated the doc. Yikes!

So for this next round, now that I have acceptable formats, I’m going to start writing on those so that I don’t have to climb over 88 or 90 thousand words fixing little spacing issues, tabs and indents.

The good side.

I learned a great deal about the whole end of publishing by doing this myself. I learned about book formatting – published the print version through CreateSpace (the book looks great, BTW). There’s a whole other world when it comes to formatting for print. I learned about Amazon, Smashwords, iBooks, and Nook. Now I can make things even better. Faster. I have a line of books I want to produce and now I’m off the starting block.

I found an editing service that I can’t live without. I personally use the Fiction Fix-It shop. I urge you to try several shops and editors until you find one that works for you. My editor is more than that. She’s a collaborator, a mentor and editor. I learn from her. She doesn’t just red-line my work. The notes she leaves speak clearly to me. She challenges me. She offers suggestions when things don’t look like they fit. Every dollar I’ve spent having my work polished by this multi-published author is completely worth it. Find one yourself. You’re writing will be better for it.

And for God’s sake, have someone else do your book cover. I’ve been working in Photoshop for 15 years. I’m efficient at doing most things, but it takes someone special to create something out of nothing. But how do you go down the road with a designer only to find you’re spending money and don’t like it?
That’s an easy fix. Have more designers chime in.
Doesn’t that cost more money?
Not if you use 99Designs.
For a good price, I had over 30 different designs by around 20 or so designers give me their best effort in a design contest. It spawned many great ideas. I finally found one that blew me away and took it along for the ride. I never would have done this good by myself. So please don’t yank in some clip-art and think you’re doing yourself a favor. Hire a professional. The book cover is most likely the first thing your prospective audience sees when they want to examine whether they’re interested or not.

But certainly not the past.

This is a brief touch on breaking the flow or the fun of your story with jaunts back in time.

Your story is not a sci-fi time machine and shouldn’t be treated as such.

I had this point hammered home when I spent 10 hours in a small 10 person class with the masterful writer David Morrell (the creator of Rambo, Murder as a Fine Art, and at least a dozen other best sellers).

So David takes a look at our 10 page submission, marks it up and finds a common thread we all failed. Dropping in what he called “flashbacks”. Using levers like the word “had” in the middle of a moment. This yanks the reader out of the present, flips you into the past and thoroughly disrupts the action of being “in the skin” of your POV character.

Now, it’s okay to do this, but don’t do it often and as he said, “Make sure you have a damn good reason to do it”.

I took a look at the rest of my manuscript and searched for the word “had”. Uggh. I found it too many times. In many places I was able to drop it altogether. In others I found crafty ways to import that pertinent piece of information without dropping you out of the present. It was tough to go back and fix, but completely worth it. When I watch people reading my book and continuously turning pages, I know I did the right thing.

So i urge you to go back and see if you’re constantly referring to some action in the past. Something that takes the reader out of the heart-thumping moment.

I think one of the things that makes growing as a writer so fun is that you learn to immerse yourself deeper and deeper into your POV’s. Probably much like an actor. When you’re writing and completely lost in the moment, typing so hard, sitting on the edge of your seat because you’re feeling yourself live through your POV, you’re readers will too.

So count the “had’s” and live in the present. You don’t want to make your thriller part “memoir”. 🙂